
Cadet
The Story of Cadet
The label was founded in 1955 in Chicago as the jazz sub-label of the legendary Chess Records. It was initially named Argo Records and quickly became a key platform for Chicago jazz, releasing the Argo 600 Jazz and 4000 Blues series. Major artists included Ahmad Jamal and the Ramsey Lewis Trio.
In 1965, the name was changed to Cadet Records to avoid confusion with a British label. This marked the peak of commercial and artistic success in Soul-Jazz and R&B styles. Pianist Ramsey Lewis became the label’s most popular artist (e.g., Wade In The Water, 1966), alongside landmark soul recordings like Etta James’ Tell Mama (1968).
The label broadened its catalog beyond pure jazz, embracing Soul-Funk, Fusion, and experimental Soul. The sub-label Cadet Concept was created for more psychedelic and progressive projects, such as The Rotary Connection (featuring Minnie Riperton). Key releases included Dorothy Ashby’s Afro-Harping (1968) and Marlena Shaw’s The Spice Of Life. Key arrangers/producers were Esmond Edwards, Richard Evans, and Charles Stepney.
Parent company Chess Records was sold to GRT Corporation in 1969, leading to Cadet’s gradual winding down. Last significant releases included soul-folk albums by Terry Callier (Occasional Rain and What Color Is Love, 1972). The label effectively ceased issuing new records around 1974, with its artists being transferred to Chess. The total catalog spanned over 500 releases.
Essential Cadet Albums

Wade In The Water
Ramsey Lewis
1966
Soul-Jazz
Ramsey takes the gospel standard and makes it swing. The trio grooves hard, mixing church and club. One of Lewis's biggest hits, and it still sounds fresh.

Hang On Ramsey!
The Ramsey Lewis Trio
1965
Soul-Jazz
The album with "The In Crowd" that made Ramsey a star. Live energy captured on record, the trio swinging between jazz and pop with effortless cool.

Up Pops Ramsey Lewis
Ramsey Lewis
1968
Soul-Jazz
Ramsey explores pop hits with jazz piano. "Julia" and other contemporary songs get the soul-jazz treatment. Accessible but never lightweight, perfect Lewis formula.

Mother Nature's Son
Ramsey Lewis
1969
Soul-Jazz
Ramsey tackles Beatles and other pop tunes. The title track shows his gift for reimagining melodies. Commercial but tasteful, finding jazz in unexpected places.

Tell Mama
Etta James
1967
Vocal
Etta at peak power. The title track is pure soul firepower, her voice commanding every note. Muscle Shoals horns backing one of music's greatest voices.

Afro-Harping
Dorothy Ashby
1968
Soul-Jazz
Ashby proves the harp belongs in soul-jazz. Funky, groovy, surprising. She makes an "classical" instrument swing hard, backed by tight rhythm section arrangements.

What Color Is Love
Terry Callier
1972
Soul
Callier's folk-jazz-soul hybrid at its warmest. Acoustic guitars, strings, and that voice. Intimate and expansive at once, defying easy categorization.

The Rubáiyát Of Dorothy Ashby
Dorothy Ashby
1970
Soul-Jazz
Ashby explores modal jazz and Eastern influences on harp. Meditative, innovative, beautiful. She keeps pushing the instrument into new territory with grace and groove.

Afro-Harping
Dorothy Ashby, Richard Evans
1968
Soul-Jazz
Same title, same year, different release. Ashby and arranger Richard Evans crafting soul-jazz perfection. The harp swings, the arrangements pop, the grooves never stop.

The Spice Of Life
Marlena Shaw
1969
Soul
Shaw's Cadet debut. Jazz phrasing meets soul power on standards and originals. Her voice is warm, confident and commanding. A singer who deserves more recognition.
Similar Labels
Artists
| Musician | Instrument | Releases |
|---|---|---|
| Ramsey Lewis | Piano | 35 |
| Esmond Edwards | 30 | |
| Cleveland Eaton | Bass | 25 |
| Richard Evans | Conductor | 22 |
| Red Holt | Drums | 17 |
| Maurice White | Drums | 17 |
| Eldee Young | Bass | 16 |
| Morris Jennings | Drums | 14 |
| Phil Upchurch | Guitar | 14 |
| Ahmad Jamal | Piano | 14 |
Personnel
| Person | Role | Releases |
|---|---|---|
| Esmond Edwards | Producer | 88 |
| Charles Stepney | Arranged By | 49 |
| Richard Evans | Producer | 48 |
| Bobby Miller | Producer | 34 |
| Richard Evans | Arranged By | 31 |
| Ron Malo | Engineer | 24 |
| Richard Evans | Arranged By, Producer | 17 |
| Charles Stepney | Producer | 16 |
| Doug Brand | Engineer | 16 |
| Don Davis | Producer | 16 |
Genres & Styles
| Genre | Releases | Percentage |
|---|---|---|
| Funk / Soul | 337 | 29% |
| Jazz | 326 | 28% |
| Blues | 32 | 2.7% |
| Rock | 29 | 2.5% |
| Pop | 25 | 2.1% |
| Stage & Screen | 10 | 0.9% |
| Latin | 9 | 0.8% |
| Folk, World, & Country | 6 | 0.5% |
| Non-Music | 2 | 0.2% |
| Style | Releases | Percentage |
|---|---|---|
| Soul | 214 | 18.4% |
| Soul-Jazz | 192 | 16.5% |
| Jazz-Funk | 48 | 4.1% |
| Rhythm & Blues | 44 | 3.8% |
| Funk | 43 | 3.7% |
| Vocal | 18 | 1.5% |
| Easy Listening | 15 | 1.3% |
| Cool Jazz | 12 | 1% |
| Bop | 11 | 0.9% |
| Hard Bop | 9 | 0.8% |
Releases Timeline
Cadet Discography
Total: 476 releases
| Artist | Album | Style | Year |
|---|---|---|---|
| Ahmad Jamal | Extensions | Cool Jazz | 1965 |
| Ahmad Jamal | This Could Be The Start Of Something | 1966 | |
| Ahmad Jamal | Rhapsody | 1966 | |
| Ahmad Jamal | Heat Wave | Soul-Jazz | 1966 |
| Ahmad Jamal | Ahmad Jamal At The Pershing | Bop | 1966 |
| Ahmad Jamal | Cry Young | 1967 | |
| Ahmad Jamal | Nature Boy / Little Ditty | Soul-Jazz | 1967 |
| Ahmad Jamal | Nature Boy | Soul-Jazz | 1967 |
| Ahmad Jamal | A Beautiful Friendship / Minor Moods | 1967 | |
| Ahmad Jamal | Standard-Eyes | 1967 | |
| Ahmad Jamal | Wild Is The Wind / I Wish I Knew | 1968 | |
| Ahmad Jamal | Wild Is The Wind / I Wish I Knew (How It Would Feel To Be Free) | 1968 | |
| Ahmad Jamal | The Bright, The Blue And The Beautiful | 1968 | |
| Al Downing | Melô Do Banjo (I'll Be Holding On) | Disco | 1975 |
| Alan Moorhouse Orchestra | (The Ballad Of) The Green Berets | Easy Listening | 1966 |
| Alan Moorhouse Orchestra | The Ballad Of The Green Berets | Easy Listening | 1966 |
| Art Blakey & The Jazz Messengers | Tough! | Hard Bop | 1966 |
| Barbara & The Browns | I Don't Want To Have To Wait | Soul | 1966 |
| Ben Branch | I Don't Know / Higher And Higher | Soul-Jazz | 1968 |
| Ben Branch | I Don't Know / Higher And Higher | Soul-Jazz | 1968 |



