
Wynton Kelly
- Born:
- , Brooklyn, New York
- Died:
- , Toronto, Ontario, Canada
- Instrument:
- Piano
- Notable collaborations:
- Miles Davis, John Coltrane, Cannonball Adderley, Wes Montgomery, Dizzy Gillespie
- Styles:
- Hard Bop, Bop, Post Bop, Modal, Cool Jazz, Vocal, Soul-Jazz, Swing, Big Band, Contemporary Jazz
Best Wynton Kelly Albums
Leader albums ranked by reissues and demand.


Kelly At Midnite
Wynton Kelly
1960
Vee Jay Records

Kelley Great
Wynton Kelly
1960
Vee Jay Records

Wynton Kelly!
Wynton Kelly
1961
Vee Jay Records


Dizzy Atmosphere
Al Grey, Billy Mitchell, Lee Morgan, Charlie Persip, Paul West, Billy Root, Wynton Kelly
1957
Specialty


Sittin' In
Stan Getz, Dizzy Gillespie, Coleman Hawkins, Paul Gonsalves, Wynton Kelly, J.C. Heard, Wendell Marshall
1958

All Members
Don Sleet With Jimmy Heath / Wynton Kelly / Jimmy Cobb / Ron Carter
1961
Jazzland

Bio
Wynton Kelly was born on December 2, 1931, in Brooklyn, New York, to Jamaican immigrant parents. He began piano at age four and entered professional music at twelve. Kelly quickly established himself in the R&B circuit of 1940s Brooklyn, performing with bandleaders Eddie Vinson, Hal Singer, and Eddie Davis while playing organ in local churches. This early immersion in blues and rhythm and blues shaped his swinging, blues-inflected piano style. Miles Davis later described it as combining the driving rhythmic approach of Red Garland with the delicate harmonic sensibilities of Bill Evans.
After military service from 1952 to 1954, Kelly worked as a sideman with vocalist Dinah Washington. He appeared on her Mercury sessions from 1955 to 1957. Kelly then collaborated with Charles Mingus in 1956 and 1957, followed by work with Dizzy Gillespie’s big band in 1957. His breakthrough came in early 1959 when he joined the Miles Davis Quintet. Kelly remained in that group until 1963. He performed the driving blues solo on “Freddie Freeloader” from Kind of Blue, Davis’s 1959 modal album. This appearance established him as both sideman and soloist.
As a leader, Kelly recorded New Faces–New Sounds for Blue Note in 1953. He recorded Kelly Blue for Riverside in 1959 and Kelly Great for Vee-Jay in 1960. These albums showcased his ability to swing with authority while exploring bebop and blues-inflected material. After leaving Davis’s group in 1963, Kelly formed his own trio with bassist Paul Chambers and drummer Jimmy Cobb. The ensemble became one of the most respected piano trios of the 1960s, recording regularly for Riverside, Vee-Jay, Verve, and Milestone. Kelly recorded over 120 albums as a sideman during his career.
He appeared on sessions with John Coltrane, Cannonball Adderley, Hank Mobley, and guitarist Wes Montgomery, earning recognition as one of the era’s finest accompanying pianists. Kelly died in Toronto on April 12, 1971, at age 39, following an epileptic seizure at the Westminster Hotel. He had battled epilepsy throughout his life.
Timeline
Key Wynton Kelly studio albums by decade, with the labels and styles that define each period.
| Decade | Key albums | Labels | Styles |
|---|---|---|---|
| 1950s |
| Specialty, Liberty, Verve Records, Riverside Records | Bop, Hard Bop, Swing, Cool Jazz |
| 1960s |
| Vee Jay Records, Jazzland, Riverside Records | Hard Bop |
Albums by Style
Top albums grouped by style.
Hard Bop


Kelley Great
Wynton Kelly
1960
Vee Jay Records

Kelly At Midnite
Wynton Kelly
1960
Vee Jay Records

Wynton Kelly!
Wynton Kelly
1961
Vee Jay Records

Interpretations By The Wynton Kelly Quartet
The Wynton Kelly Quartet
1977
Vee Jay Records
Cool Jazz



Live At Left Bank Jazz Society 1968
Wynton Kelly
1977
Vee Jay Records

In Concert
Wynton Kelly
1977
VJ International

Blues On Purpose
Wynton Kelly
1983
Xanadu Records
Bop


Autumn Leaves = 枯葉 II
Wynton Kelly
1984
Vee Jay Records

Unissued In Boston
Wynton Kelly Trio
2017
Phono
Similar Artists
Artists with similar styles and catalogs.
Wynton Kelly Discography
Wynton Kelly studio albums as leader and sideman.
Total: 139 releases
| Artist | Album | Label | Leader/Sideman | Style | Year |
|---|---|---|---|---|---|
| Art Farmer | Art Farmer Plays | Prestige | Sideman | Bop | 1955 |
| Dinah Washington | For Those In Love | Emarcy | Sideman | Vocal | 1955 |
| J.J. Johnson | The Eminent Jay Jay Johnson Vol. 2 | Blue Note | Sideman | Bop | 1955 |
| Dinah Washington | Dinah! | Emarcy | Sideman | Rhythm & Blues | 1956 |
| Dizzy Gillespie | Jazz Creations Of Dizzy Gillespie | American Recording Society | Sideman | Big Band | 1956 |
| Billie Holiday | Lady Sings The Blues | Clef Records | Sideman | Swing | 1956 |
| Al Grey, Billy Mitchell, Lee Morgan, Charlie Persip, Paul West, Billy Root, Wynton Kelly | Dizzy Atmosphere | Specialty | Leader | Hard Bop | 1957 |
| Dizzy Gillespie | Dizzy In Greece | Verve Records | Sideman | Bop | 1957 |
| Howard Rumsey's Lighthouse All-Stars, Charlie Persip's Jazz Statesmen, Lee Morgan, Benny Golson, Wynton Kelly | Double Or Nothin' | Liberty | Leader | Cool Jazz | 1957 |
| Johnny Griffin | Introducing Johnny Griffin | Blue Note | Sideman | Hard Bop | 1957 |
| Dizzy Gillespie, Milt Jackson, Joe Carroll | School Days | Regent | Sideman | Bop | 1957 |
| Clark Terry Quintet | Serenade To A Bus Seat | Riverside Records | Sideman | 1957 | |
| Ernie Henry Quartet | Seven Standards And A Blues | Riverside Records | Sideman | Hard Bop | 1957 |
| Sonny Rollins | Sonny Rollins | Blue Note | Sideman | Bop | 1957 |
| Abbey Lincoln, The Riverside Jazz Stars | That's Him! | Riverside Records | Sideman | Soul-Jazz | 1957 |
| Charlie Rouse, Paul Quinichette | The Chase Is On | Bethlehem Records | Sideman | Post Bop | 1957 |
| Lee Morgan | Vol. 3 | Blue Note | Sideman | Hard Bop | 1957 |
| Blue Mitchell | Big 6 | Riverside Records | Sideman | Hard Bop | 1958 |
| Dizzy Gillespie Big Band | Birks' Works | Verve Records | Sideman | 1958 | |
| Jimmy Cleveland | Cleveland Style | EmArcy | Sideman | 1958 |
Wynton Kelly Collaborations
Players they worked with most often, as leader and as sideman.
As Leader
| Musician | Role | Releases |
|---|---|---|
| Paul Chambers | Bass | 17 |
| Jimmy Cobb | Drums | 15 |
| "Philly" Joe Jones | Drums | 7 |
| Sam Jones | Bass | 6 |
| Lee Abrams | Drums | 5 |
| Lee Morgan | Trumpet | 5 |
| Franklin Skeete | Bass | 4 |
| Kenny Burrell | Guitar | 4 |
| Oscar Pettiford | Bass | 3 |
| Wayne Shorter | Tenor Saxophone | 3 |
As Sideman
| Musician | Role | Releases |
|---|---|---|
| Paul Chambers | Bass | 98 |
| Jimmy Cobb | Drums | 87 |
| Miles Davis | Trumpet | 46 |
| John Coltrane | Tenor Saxophone | 40 |
| Sam Jones | Bass | 37 |
| "Philly" Joe Jones | Drums | 28 |
| Cannonball Adderley | Alto Saxophone | 27 |
| Hank Mobley | Tenor Saxophone | 16 |
| Max Roach | Drums | 16 |
| Benny Golson | Tenor Saxophone | 16 |
Styles & Genres Distribution
Style and genre mix across their releases.
Styles
| Style | Releases | Percentage |
|---|---|---|
| Hard Bop | 70 | 50.4% |
| Bop | 27 | 19.4% |
| Post Bop | 18 | 12.9% |
| Modal | 13 | 9.4% |
| Cool Jazz | 12 | 8.6% |
| Vocal | 10 | 7.2% |
| Soul-Jazz | 9 | 6.5% |
| Swing | 5 | 3.6% |
| Big Band | 2 | 1.4% |
| Contemporary Jazz | 2 | 1.4% |
Genres
| Genre | Releases | Percentage |
|---|---|---|
| Jazz | 138 | 99.3% |
| Blues | 5 | 3.6% |
Top Labels
Labels with the most releases in their catalog.
| Label | Releases |
|---|---|
| Riverside Records | 33 |
| Vee Jay Records | 17 |
| Blue Note | 14 |
| Columbia | 10 |
| Verve Records | 9 |
| Prestige | 6 |
| Mercury | 4 |
| Contemporary Records | 4 |
| Atlantic | 4 |
| Jazzland | 4 |
Key Personnel
Frequent producers, engineers, and studio credits.
| Person | Role | Releases |
|---|---|---|
| Various | Leader | 30 |
| Orrin Keepnews | Producer, Liner Notes | 21 |
| Miles Davis | Leader | 20 |
| Orrin Keepnews | Producer | 19 |
| Jack Higgins | Engineer | 17 |
| Rudy Van Gelder | Lacquer Cut By | 14 |
| Alfred Lion | Producer | 14 |
| John Coltrane | Leader | 13 |
| Jack Matthews | Mastered By | 12 |
| Nat Hentoff | Liner Notes | 12 |








