
Pat Metheny
- Born:
- Instrument:
- Guitar
- Notable collaborations:
- Gary Burton, Lyle Mays, Jaco Pastorius, Charlie Haden, Ornette Coleman
- Styles:
- Contemporary Jazz, Fusion, Post Bop, Latin Jazz, MPB, Free Improvisation, Jazz-Rock, Smooth Jazz, Soundtrack, Modal
Best Pat Metheny Albums
Leader albums ranked by reissues and demand.





Song X
Pat Metheny / Ornette Coleman
1986
Geffen Records

Secret Story
Pat Metheny
1992
Geffen Records


Pastorius / Metheny / Ditmas / Bley
Jaco Pastorius / Pat Metheny / Bruce Ditmas / Paul Bley
1976
Improvising Artists Inc.


Different Trains / Electric Counterpoint
Steve Reich - Kronos Quartet / Pat Metheny
1989
Elektra Nonesuch
Bio
Patrick Metheny was born on August 12, 1954, in Lee’s Summit, Missouri, into a musical family. His father Dave played trumpet, his mother Lois sang, and his grandfather was a professional trumpeter. At age eight, Metheny began on trumpet under his older brother Mike’s instruction. At twelve, inspired by the Beatles’ guitar sound, he switched to guitar. By fifteen, he performed six nights weekly with Kansas City jazz musicians. Attila Zoller, his instructor at a Down Beat jazz camp, invited him to New York to hear Jim Hall and Ron Carter.
In the early 1970s, Bill Lee, dean of the University of Miami, offered Metheny a scholarship. Metheny left college after less than a week, recognizing that years of practice had left him academically unprepared. Lee then offered him a position as the school’s first electric guitar instructor at age eighteen, making him the university’s youngest faculty member. By nineteen, Metheny moved to Boston to teach at Berklee College of Music under vibraphonist Gary Burton. He became Berklee’s youngest faculty member. In 1974, Burton recruited him for his ensemble, where he joined guitarist Mick Goodrick. Metheny introduced the electric twelve-string guitar to the group’s sound, a signature innovation that defined his early approach.
Metheny recorded his 1976 debut album Bright Size Life in December 1975 at Ludwigsburg Studios in Germany with bassist Jaco Pastorius and drummer Bob Moses. Producer Manfred Eicher initially resisted electric bass, but Burton persuaded him to accept Pastorius. The album redefined the possibilities of jazz guitar with its crystalline tone and melodic clarity. Watercolors (1977) featured pianist Lyle Mays, bassist Eberhard Weber, and drummer Danny Gottlieb. This album marked the beginning of Metheny’s most enduring collaboration, as Mays remained his primary musical partner for decades. Metheny formed the Pat Metheny Group in 1977 with Mays, Gottlieb, and bassist Mark Egan. American Garage (1979) topped the Billboard jazz chart and crossed over to pop audiences. The Pat Metheny Group (1978) introduced his fusion sound to global listeners. Throughout the 1980s, the group released albums on ECM Records: Offramp (1982), Travels (1983), First Circle (1984), and The Falcon and the Snowman (1985). The last album featured the hit single “This Is Not America” with David Bowie, which reached number 14 on the British Top 40. Bassist Steve Rodby and percussionists Nana Vasconcelos and Armando Marçal joined for later albums. By 1984, Metheny parted with ECM following disagreements with founder Manfred Eicher and moved to Geffen Records.
Metheny pursued side projects that showcased his stylistic range outside the group. Song X (1986) featured free jazz pioneer Ornette Coleman. Beyond the Missouri Sky (1997) presented acoustic duets with bassist Charlie Haden. He released the orchestral work Secret Story in 1992. His technical innovations extended to experimental instruments, including the 42-string Pikasso guitar and custom-built mechanical instruments featured on Orchestrion (2010). Metheny is the only artist to win Grammy Awards in ten different categories, accumulating twenty Grammy Awards total across diverse genres. A dedicated educator, he holds an honorary doctorate from Berklee and earned NEA Jazz Master status. With over twenty million albums sold, Metheny continues performing 120 to 240 shows annually.
Timeline
Key Pat Metheny studio albums by decade, with the labels and styles that define each period.
| Decade | Key albums | Labels | Styles |
|---|---|---|---|
| 1970s |
| ECM Records | Fusion, Contemporary Jazz |
| 1980s |
| ECM Records, Geffen Records | Contemporary Jazz, Post Bop, Fusion, Free Jazz |
| 1990s |
| Geffen Records, GRP, Blue Note, Verve Records | Contemporary Jazz, Post Bop |
| 2000s |
| Warner Bros. Records, Nonesuch | Contemporary Jazz, Post Bop |
| 2010s |
| Nonesuch, Tzadik, ECM Records | Contemporary Jazz, Free Improvisation, Instrumental, Acoustic |
| 2020s |
| Nonesuch, Modern Recordings, Metheny Group Productions, BMG | Contemporary Jazz, Contemporary, Fusion |
Albums by Style
Top albums grouped by style.
Contemporary Jazz

Still Life (Talking)
Pat Metheny Group
1987
Geffen Records

Secret Story
Pat Metheny
1992
Geffen Records

Letter From Home
Pat Metheny Group
1989
Geffen Records


Fusion





Post Bop


Metheny Mehldau
Pat Metheny
2006
Nonesuch

Question And Answer
Pat Metheny
1990
Geffen Records

Day Trip
Pat Metheny
2008
Nonesuch

Parallel Universe
Pat Metheny
2001
TKO Magnum Music
Similar Artists
Artists with similar styles and catalogs.
Pat Metheny Discography
Pat Metheny studio albums as leader and sideman.
Total: 114 releases
| Artist | Album | Label | Leader/Sideman | Style | Year |
|---|---|---|---|---|---|
| Gary Burton Quintet, Eberhard Weber | Ring | ECM Records | Sideman | Fusion | 1974 |
| Pat Metheny | Moondial | BMG | Leader | 1974 | |
| Pat Metheny | Bright Size Life | ECM Records | Leader | Fusion | 1976 |
| Gary Burton Quintet | Dreams So Real - Music Of Carla Bley | ECM Records | Sideman | Post Bop | 1976 |
| Gary Burton Quartet, Eberhard Weber | Passengers | ECM Records | Sideman | Post Bop | 1977 |
| Pat Metheny | Watercolors | ECM Records | Leader | Fusion | 1977 |
| Pat Metheny Group | Pat Metheny Group | ECM Records | Sideman | Fusion | 1978 |
| Pat Metheny Group | American Garage | ECM Records | Sideman | Fusion | 1979 |
| Pat Metheny | New Chautauqua | ECM Records | Leader | Fusion | 1979 |
| Pat Metheny, Charlie Haden, Jack DeJohnette, Dewey Redman, Michael Brecker | 80/81 | ECM Records | Leader | Post Bop | 1980 |
| Joni Mitchell | Shadows And Light | Asylum Records | Sideman | Soft Rock | 1980 |
| Toninho Horta | Toninho Horta | EMI | Sideman | Latin Jazz | 1980 |
| Pat Metheny, Lyle Mays | As Falls Wichita, So Falls Wichita Falls | ECM Records | Leader | Contemporary Jazz | 1981 |
| Célia Vaz | Mutação | Philips | Sideman | Fusion | 1981 |
| The Ross-Levine Band | That Summer Something | Headfirst | Sideman | Fusion | 1981 |
| Pat Metheny Group | Offramp | ECM Records | Sideman | Fusion | 1982 |
| Pat Metheny Group | Travels | ECM Records | Sideman | Jazz-Rock | 1983 |
| Jerry Goldsmith | Under Fire (Original Motion Picture Sound Track) | Warner Bros. Records | Sideman | Score | 1983 |
| Pat Metheny Group | First Circle | ECM Records | Sideman | Contemporary Jazz | 1984 |
| Pat Metheny, Charlie Haden, Billy Higgins | Rejoicing | ECM Records | Leader | Contemporary Jazz | 1984 |
Pat Metheny Collaborations
Players they worked with most often, as leader and as sideman.
As Leader
| Musician | Role | Releases |
|---|---|---|
| Danny Gottlieb | Drums | 15 |
| Lyle Mays | Piano | 13 |
| Jack DeJohnette | Drums | 13 |
| Paul Wertico | Drums | 13 |
| Lyle Mays | Keyboards | 12 |
| Armando Marçal | Percussion | 12 |
| Dave Holland | Bass | 11 |
| Steve Rodby | Bass | 11 |
| Bill Stewart | Drums | 11 |
| Steve Rodby | Co-producer | 10 |
As Sideman
| Musician | Role | Releases |
|---|---|---|
| Lyle Mays | Piano | 19 |
| Lyle Mays | Keyboards | 15 |
| Steve Rodby | Acoustic Bass | 11 |
| Paul Wertico | Drums | 11 |
| Jack DeJohnette | Drums | 11 |
| Charlie Haden | Bass | 10 |
| Antonio Sanchez | Drums | 10 |
| Michael Brecker | Tenor Saxophone | 8 |
| Danny Gottlieb | Drums | 7 |
| Steve Rodby | Electric Bass | 7 |
Styles & Genres Distribution
Style and genre mix across their releases.
Styles
| Style | Releases | Percentage |
|---|---|---|
| Contemporary Jazz | 58 | 50.9% |
| Fusion | 24 | 21.1% |
| Post Bop | 15 | 13.2% |
| Latin Jazz | 6 | 5.3% |
| MPB | 6 | 5.3% |
| Free Improvisation | 6 | 5.3% |
| Jazz-Rock | 4 | 3.5% |
| Smooth Jazz | 4 | 3.5% |
| Soundtrack | 3 | 2.6% |
| Modal | 3 | 2.6% |
Genres
| Genre | Releases | Percentage |
|---|---|---|
| Jazz | 100 | 87.7% |
| Folk | 11 | 9.6% |
| World | 11 | 9.6% |
| & Country | 11 | 9.6% |
| Latin | 10 | 8.8% |
| Rock | 8 | 7% |
| Pop | 8 | 7% |
| Stage & Screen | 4 | 3.5% |
| Electronic | 2 | 1.8% |
| Funk / Soul | 2 | 1.8% |
Top Labels
Labels with the most releases in their catalog.
| Label | Releases |
|---|---|
| ECM Records | 15 |
| Nonesuch | 11 |
| Warner Bros. Records | 7 |
| Geffen Records | 7 |
| Verve Records | 5 |
| Hi Hat | 4 |
| EMI | 3 |
| Blue Note | 3 |
| MCA Impulse! | 2 |
| Jazzafdeling Koninklijk Conservatorium | 2 |
Key Personnel
Frequent producers, engineers, and studio credits.
| Person | Role | Releases |
|---|---|---|
| Various | Leader | 74 |
| Ted Jensen | Mastered By | 28 |
| Manfred Eicher | Producer | 14 |
| Lyle Mays | Composed By | 13 |
| Rob Eaton | Mixed By | 12 |
| Lyle Mays | Written-By | 12 |
| Greg Calbi | Mastered By | 11 |
| Rob Eaton | Recorded By, Mixed By | 10 |
| Pete Karam | Mixed By | 9 |
| Jan Erik Kongshaug | Engineer | 9 |








