
Kenny Garrett
- Born:
- Instrument:
- Alto Saxophone
- Notable collaborations:
- Miles Davis, Art Blakey, Freddie Hubbard, Chick Corea, John McLaughlin
- Styles:
- Contemporary Jazz, Post Bop, Fusion, Hard Bop, Jazz-Funk, Bop, Jazz-Rock, Latin Jazz, Smooth Jazz, Big Band
Best Kenny Garrett Albums
Leader albums ranked by reissues and demand.

Pursuance: The Music Of John Coltrane
Kenny Garrett
0
Warner Bros. Records

Sounds From The Ancestors
Kenny Garrett
2021
Mack Avenue

Triology
Kenny Garrett
1995
Warner Bros. Records

Songbook
Kenny Garrett
1997
Warner Bros. Records

Prisoner Of Love
Kenny Garrett
1989
Atlantic Jazz

Black Hope
Kenny Garrett
1992
Warner Bros. Records

Beyond The Wall
Kenny Garrett
2006
Nonesuch

Moon Alley
Tom Harrell Quintet Featuring Kenny Garrett And Kenny Barron
1986
Criss Cross Jazz

Dreyfus Night In Paris
Marcus Miller, Michel Petrucciani, Biréli Lagrène, Lenny White, Kenny Garrett
2003

Sketches Of MD (Live At The Iridium Featuring Pharoah Sanders)
Kenny Garrett
2008
Mack Avenue Records
Bio
Kenny Garrett was born in Detroit, Michigan, on October 9, 1960. His father played tenor saxophone, and his stepfather was a jazz enthusiast who also played the instrument. Garrett began saxophone at age eight under mentors Marcus Belgrave and Donald Byrd. He attended Mackenzie High School and performed locally with Mercer Ellington and Lyman Woodard. In 1978, at age seventeen, Garrett joined the Duke Ellington Orchestra under Mercer Ellington’s direction. He declined a Berklee College of Music scholarship to accept this opportunity. The position provided rigorous training in ensemble playing and the big band tradition through extensive North American and European tours.
From 1981 to the mid-1980s, Garrett became a fixture in New York’s straight-ahead jazz scene, performing weekly at the Village Vanguard with the Mel Lewis Jazz Orchestra. He collaborated with Art Blakey’s Jazz Messengers, Freddie Hubbard, and Woody Shaw during these years. In 1984, Garrett recorded his debut as bandleader, Introducing Kenny Garrett, released on Criss Cross in 1985. His breakthrough came in spring 1987 when Miles Davis invited him to join his touring and recording band. Garrett remained with Davis until the trumpeter’s death in 1991, a five-year period that brought international exposure and refined his ability to blend post-bop with contemporary fusion. His appearances on Davis recordings and tours established him as a significant voice in modern jazz.
Following Davis’s death, Garrett pursued his ambitions as a bandleader and composer with increasing focus. Throughout the 1990s, he released Prisoner of Love (1989), African Exchange Student (1990), Black Hope (1992), Triology (1995), and Pursuance: The Music of John Coltrane (1996), which won Down Beat’s Jazz Album of the Year. His alto saxophone sound combined post-bop with funk, R&B, soul, and world music influences, marked by gritty and incantatory tones. Collaborators during this period included pianist Mulgrew Miller, bassist Nat Reeves, and drummer Jeff “Tain” Watts. Garrett studied Polynesian, Balinese, and Japanese musical scales while touring with Sting for Amnesty International in Africa, Greece, and Indonesia, expanding his harmonic vocabulary through direct cultural engagement.
Garrett continued composing and recording into the 2000s and 2010s, releasing Beyond the Wall (2006), Seeds from the Underground (2012), and Pushing the World Away (2013). His work increasingly incorporated spiritual themes and ancestral references, drawing influence from John Coltrane and Pharoah Sanders. He became a mentor to emerging musicians through his own working band, following the example set by Art Blakey and other elders who had supported his own development. Garrett has collaborated with Chick Corea’s Freedom Band and the Five Peace Band, which brought together Corea, John McLaughlin, Christian McBride, and drummers Vinnie Colaiuta and Brian Blade. In 2023, Garrett received recognition as an NEA Jazz Master. He remains active as a composer, educator, and bandleader exploring diverse genres from hip-hop to electronic music.
Timeline
Key Kenny Garrett studio albums by decade, with the labels and styles that define each period.
| Decade | Key albums | Labels | Styles |
|---|---|---|---|
| 1980s |
| Criss Cross Jazz, Bellaphon, Atlantic Jazz | Contemporary Jazz, Hard Bop, Post Bop |
| 1990s |
| Atlantic Jazz, Warner Bros. Records | Contemporary Jazz, Post Bop |
| 2000s |
| Warner Bros. Records, Dreyfus Jazz, Nonesuch | Contemporary Jazz, Fusion, Post Bop |
| 2010s |
| Mack Avenue | Contemporary Jazz, Post Bop, Latin Jazz |
Albums by Style
Top albums grouped by style.
Contemporary Jazz

Songbook
Kenny Garrett
1997
Warner Bros. Records

Do Your Dance!
Kenny Garrett
2016
Mack Avenue

Triology
Kenny Garrett
1995
Warner Bros. Records

Prisoner Of Love
Kenny Garrett
1989
Atlantic Jazz

Introducing Kenny Garrett
Kenny Garrett Quintet
1985
Criss Cross Jazz
Post Bop

Pursuance: The Music Of John Coltrane
Kenny Garrett
Warner Bros. Records

Old Folks
Kenny Garrett
1999
West Wind

Black Hope
Kenny Garrett
1992
Warner Bros. Records

Seeds From The Underground
Kenny Garrett
2012
Mack Avenue

Sketches Of MD (Live At The Iridium Featuring Pharoah Sanders)
Kenny Garrett
2008
Mack Avenue Records
Latin Jazz

Pushing The World Away
Kenny Garrett
2013
Mack Avenue
Similar Artists
Artists with similar styles and catalogs.
Kenny Garrett Discography
Kenny Garrett studio albums as leader and sideman.
Total: 128 releases
| Artist | Album | Label | Leader/Sideman | Style | Year |
|---|---|---|---|---|---|
| Eddie Russ | Take A Look At Yourself | Monument | Sideman | Jazz-Funk | 1978 |
| The Baylor Project, Jean Baylor, Marcus Baylor | Generations | Be A Light | Sideman | Soul-Jazz | 1978 |
| Mel Lewis, The Jazz Orchestra | Make Me Smile & Other New Works By Bob Brookmeyer | Finesse Records | Sideman | Big Band | 1982 |
| Kim Shaw, Marion Cowings | Inside | Good Guise Music Inc. | Sideman | Vocal | 1984 |
| Freddie Hubbard, Woody Shaw | Double Take | Blue Note | Sideman | 1985 | |
| Kenny Garrett Quintet, Woody Shaw | Introducing Kenny Garrett | Criss Cross Jazz | Sideman | Post Bop | 1985 |
| Art Blakey & The Jazz Messengers | Feeling Good | Delos | Sideman | Hard Bop | 1986 |
| Tom Harrell Quintet, Kenny Garrett, Kenny Barron | Moon Alley | Criss Cross Jazz | Leader | Contemporary Jazz | 1986 |
| Out Of The Blue | O.T.B. | Blue Note | Sideman | 1986 | |
| Cedar Walton, Ron Carter, Billy Higgins | Cedar Walton Plays | Delos | Sideman | 1987 | |
| Art Blakey & The Jazz Messengers | Hard Champion | Paddle Wheel | Sideman | 1987 | |
| Manhattan Graffiti Four | MG4 | Whynot | Sideman | Fusion | 1987 |
| Woody Shaw | Solid | Muse Records | Sideman | Hard Bop | 1987 |
| Mulgrew Miller | Wingspan | Landmark Records | Sideman | Hard Bop | 1987 |
| Mulgrew Miller Quintet | Wingspan | Landmark Records | Sideman | Hard Bop | 1987 |
| Cindy Blackman | Arcane | Muse Records | Sideman | Post Bop | 1988 |
| Donald Byrd | Harlem Blues | Landmark Records | Sideman | Post Bop | 1988 |
| Wallace Roney | Intuition | Muse Records | Sideman | Hard Bop | 1988 |
| Cameo | Machismo | Atlanta Artists | Sideman | Jazz-Funk | 1988 |
| Larry Willis | My Funny Valentine | Bellaphon | Sideman | Post Bop | 1988 |
Kenny Garrett Collaborations
Players they worked with most often, as leader and as sideman.
As Leader
| Musician | Role | Releases |
|---|---|---|
| Charnett Moffett | Bass | 7 |
| Rudy Bird | Percussion | 7 |
| Mulgrew Miller | Piano | 5 |
| Brian Blade | Drums | 5 |
| Vernell Brown | Piano | 4 |
| Marcus Miller | Bass | 3 |
| Nat Reeves | Bass | 3 |
| Chris Dave | Drums | 3 |
| Benito Gonzalez | Piano | 3 |
| Ricky Wellman | Drums | 2 |
As Sideman
| Musician | Role | Releases |
|---|---|---|
| Miles Davis | Trumpet | 37 |
| Ricky Wellman | Drums | 34 |
| Benny Rietveld | Bass | 15 |
| Mulgrew Miller | Piano | 14 |
| Miles Davis | Keyboards | 14 |
| Wallace Roney | Trumpet | 13 |
| Adam Holzman | Keyboards | 13 |
| Marilyn Mazur | Percussion | 13 |
| Foley | Guitar | 11 |
| Al Foster | Drums | 10 |
Styles & Genres Distribution
Style and genre mix across their releases.
Styles
| Style | Releases | Percentage |
|---|---|---|
| Contemporary Jazz | 40 | 31.2% |
| Post Bop | 30 | 23.4% |
| Fusion | 19 | 14.8% |
| Hard Bop | 10 | 7.8% |
| Jazz-Funk | 8 | 6.2% |
| Bop | 7 | 5.5% |
| Jazz-Rock | 7 | 5.5% |
| Latin Jazz | 5 | 3.9% |
| Smooth Jazz | 5 | 3.9% |
| Big Band | 4 | 3.1% |
Genres
| Genre | Releases | Percentage |
|---|---|---|
| Jazz | 118 | 92.2% |
| Funk / Soul | 16 | 12.5% |
| Hip Hop | 9 | 7% |
| Electronic | 7 | 5.5% |
| Pop | 6 | 4.7% |
| Rock | 5 | 3.9% |
| Folk | 3 | 2.3% |
| World | 3 | 2.3% |
| & Country | 3 | 2.3% |
| Latin | 2 | 1.6% |
Top Labels
Labels with the most releases in their catalog.
| Label | Releases |
|---|---|
| Warner Bros. Records | 10 |
| Blue Note | 5 |
| Dreyfus Jazz | 5 |
| Verve Records | 5 |
| Landmark Records | 4 |
| Hip Bop Records | 4 |
| Columbia | 4 |
| Muse Records | 3 |
| Sweet Basil | 3 |
| Victor | 3 |
Key Personnel
Frequent producers, engineers, and studio credits.
| Person | Role | Releases |
|---|---|---|
| Greg Calbi | Mastered By | 20 |
| Various | Leader | 17 |
| Miles Davis | Leader | 12 |
| Donald Brown | Producer | 7 |
| Marcus Miller | Producer | 7 |
| Rudy Van Gelder | Engineer | 7 |
| Marcus Miller | Leader | 7 |
| Bill Schnee | Mixed By | 6 |
| Matt Pierson | Producer | 5 |
| Don Sickler | Producer | 5 |








