
Emily Remler
- Born:
- , Englewood Cliffs, New Jersey (born in New York)
- Died:
- , Sydney, Australia
- Instrument:
- Guitar
- Notable collaborations:
- Wes Montgomery (influence), Hank Jones, Larry Coryell, Herb Ellis, Bob Moses
- Styles:
- Bossa Nova, Swing, Bop, Vocal, Cool Jazz, Post Bop, Contemporary Jazz, Latin Jazz, Soul-Jazz, Fusion
Best Emily Remler Albums
Leader albums ranked by reissues and demand.






Cookin’ At The Queens Live In Las Vegas 1984 & 1988
Emily Remler
2024
Resonance Records

This Is Me
Emily Remler
1990
Justice Records

Bebop And Swing Guitar
Emily Remler
2008
Hot Licks

Advanced Jazz And Latin Improvisation
Emily Remler
2008
Hot Licks

Learn Jazz Guitar Chords With 6 Great Masters!
Sal Salvador, Joe Pass, Mundell Lowe, Charlie Byrd, Emily Remler, Tal Farlow
2005
Hot Licks
Bio
Emily Remler was born on September 18, 1957, in Englewood Cliffs, New Jersey, to a non-musical family. Her parents encouraged creative exploration from childhood. At age ten, she began playing guitar on her older brother’s Gibson ES-330. Remler taught herself folk and rock songs, inspired by Jimi Hendrix and Johnny Winter rather than jazz guitarists. She graduated from high school at sixteen planning to pursue graphic design. Unexpectedly, she gained admission to Berklee College of Music in Boston in 1976.
At Berklee, Remler’s musical direction shifted after hearing Paul Desmond and Pat Martino. She became obsessed with Wes Montgomery’s thumb-picking technique and octave work, transcribing his solos extensively. Her teachers considered her technically weak at graduation, but she worked rigorously with a metronome to overcome rhythmic deficiencies. This discipline developed the exceptional swing feel that became her signature. After Berklee, she relocated to New Orleans with guitarist Steve Masakowski and played in blues and jazz clubs. There she befriended Herb Ellis, the legendary guitarist who championed her and introduced her at the Concord Jazz Festival in 1978, leading to a recording contract with Concord Jazz.
Remler began her recording career at age 23 with Firefly (1981), recorded with pianist Hank Jones, bassist Bob Maize, and drummer Jake Hanna. The album established her reputation for fluent, swinging playing. She followed with Take Two (1982), Transitions (1983), and Catwalk (1984), each showcasing more original compositions and refined technique. In 1981, she married pianist Monty Alexander; the marriage lasted until 1984. Together (1985) with guitarist Larry Coryell explored post-bop territory. By 1985, she won Down Beat magazine’s Guitarist of the Year and performed at Carnegie Hall’s guitar festival. East to Wes (1988), an homage to Montgomery, represented her mature stylistic synthesis.
Remler left New York in 1986 to serve as artist in residence at Duquesne University and studied with trumpeter Bob Brookmeyer at the University of Pittsburgh. She sought therapy to address a longstanding opioid addiction. Her final leadership album, This Is Me (1990), was recorded for Justice Records. Remler died on May 4, 1990, in Sydney, Australia, at age 32, found dead in a hotel room while touring. The official cause was heart failure, though her substantial heroin and Dilaudid abuse almost certainly precipitated it. Two tribute albums, Just Friends Volumes 1 and 2 (1990–1991), featured Herb Ellis, David Benoit, and Bill O’Connell. She remains one of few prominent female jazz guitarists and is referenced in Leslie Gourse’s Madame Jazz and Musician magazine’s 100 greatest guitarists of the twentieth century.
Timeline
Key Emily Remler studio albums by decade, with the labels and styles that define each period.
| Decade | Key albums | Labels | Styles |
|---|---|---|---|
| 1980s |
| Concord Jazz | Bossa Nova, Post Bop, Cool Jazz, Swing |
| 1990s |
| Justice Records | Contemporary Jazz |
Albums by Style
Top albums grouped by style.
Cool Jazz


Contemporary Jazz

This Is Me
Emily Remler
1990
Justice Records
Similar Artists
Artists with similar styles and catalogs.
Emily Remler Discography
Emily Remler studio albums as leader and sideman.
Total: 14 releases
| Artist | Album | Label | Leader/Sideman | Style | Year |
|---|---|---|---|---|---|
| Emily Remler | Firefly | Concord Jazz | Leader | Cool Jazz | 1981 |
| The Clayton Brothers | It's All In The Family | Concord Jazz | Sideman | Swing | 1981 |
| Emily Remler Quartet | Take Two | Concord Jazz | Sideman | Cool Jazz | 1982 |
| Emily Remler | Transitions | Concord Jazz | Leader | 1984 | |
| Emily Remler | Catwalk | Concord Jazz | Leader | 1985 | |
| Ray Brown Trio, Gene Harris | Soular Energy | Concord Jazz | Sideman | Post Bop | 1985 |
| Larry Coryell, Emily Remler | Together | Concord Jazz | Leader | Post Bop | 1985 |
| Deuce | Deuce | Redwood Records | Sideman | Fusion | 1986 |
| John Colianni | John Colianni | Concord Jazz | Sideman | 1986 | |
| Rosemary Clooney | Rosemary Clooney Sings The Music Of Jimmy Van Heusen | Concord Jazz | Sideman | Swing | 1986 |
| Susannah McCorkle | No More Blues | Concord Jazz | Sideman | Vocal | 1989 |
| Richie Cole, Hank Crawford | Bossa International | Milestone | Sideman | Bossa Nova | 1990 |
| Susannah McCorkle | Sabia | Concord Jazz | Sideman | Bossa Nova | 1990 |
| Emily Remler | This Is Me | Justice Records | Leader | Contemporary Jazz | 1990 |
Emily Remler Collaborations
Players they worked with most often, as leader and as sideman.
As Leader
| Musician | Role | Releases |
|---|---|---|
| Eddie Gomez | Bass | 2 |
| John D'Earth | Trumpet | 2 |
| Bob Maize | Bass | 1 |
| Jake Hanna | Drums | 1 |
| Hank Jones | Piano | 1 |
| Maggie Hawthorn | Sleeve Notes | 1 |
| Bob Moses | Drums | 1 |
| Bob Moses | Percussion | 1 |
| Larry Coryell | Electric Guitar | 1 |
| Larry Coryell | Acoustic Guitar | 1 |
As Sideman
| Musician | Role | Releases |
|---|---|---|
| Terry Clarke | Drums | 3 |
| Scott Hamilton | Tenor Saxophone | 2 |
| Laura Cesar | Bass | 2 |
| Don Thompson | Bass | 1 |
| Phil Edwards | Remix] | 1 |
| James Williams | Piano | 1 |
| Ray Brown | Bass | 1 |
| Gerryck King | Drums | 1 |
| Gene Harris | Piano | 1 |
| Red Holloway | Tenor Saxophone | 1 |
Styles & Genres Distribution
Style and genre mix across their releases.
Styles
| Style | Releases | Percentage |
|---|---|---|
| Bossa Nova | 5 | 35.7% |
| Swing | 5 | 35.7% |
| Bop | 3 | 21.4% |
| Vocal | 3 | 21.4% |
| Cool Jazz | 2 | 14.3% |
| Post Bop | 2 | 14.3% |
| Contemporary Jazz | 2 | 14.3% |
| Latin Jazz | 1 | 7.1% |
| Soul-Jazz | 1 | 7.1% |
| Fusion | 1 | 7.1% |
Genres
| Genre | Releases | Percentage |
|---|---|---|
| Jazz | 14 | 100% |
| Rock | 1 | 7.1% |
| Latin | 1 | 7.1% |
| Funk / Soul | 1 | 7.1% |
| Pop | 1 | 7.1% |
Top Labels
Labels with the most releases in their catalog.
| Label | Releases |
|---|---|
| Concord Jazz | 11 |
| Redwood Records | 1 |
| Milestone | 1 |
| Justice Records | 1 |
Key Personnel
Frequent producers, engineers, and studio credits.
| Person | Role | Releases |
|---|---|---|
| George Horn | Mastered By | 9 |
| Carl E. Jefferson | Producer | 7 |
| Woody Mann | Presenter [Introduction] | 4 |
| Dick Hendler | Art Direction | 4 |
| Ed Trabanco | Engineer | 3 |
| Leonard Feather | Liner Notes | 3 |
| David Fischer | Photography By | 2 |
| Bernie Grundman | Mastered By | 2 |
| Phil Edwards | Engineer [Remix] | 2 |
| Tom Burgess | Art Direction | 2 |








