
Chick Corea
- Born:
- , Chelsea, Massachusetts
- Died:
- , Tampa, Florida
- Instrument:
- Piano
- Notable collaborations:
- Miles Davis, Gary Burton, Dave Holland, Stanley Clarke, Herbie Hancock
- Styles:
- Fusion, Post Bop, Contemporary Jazz, Latin Jazz, Jazz-Rock, Free Jazz, Jazz-Funk, Hard Bop, Modal, Free Improvisation
Best Chick Corea Albums
Leader albums ranked by reissues and demand.


Light As A Feather
Chick Corea, Return To Forever
1973
Polydor

Where Have I Known You Before
Return To Forever Featuring Chick Corea
1974
Polydor

Hymn Of The Seventh Galaxy
Return To Forever Featuring Chick Corea
1973
Polydor

My Spanish Heart
Chick Corea
1976
Polydor

No Mystery
Return To Forever Featuring Chick Corea
1975
Polydor

The Leprechaun
Chick Corea
1976
Polydor

Friends
Chick Corea
1978
Polydor

The Mad Hatter
Chick Corea
1978
Polydor

Now He Sings, Now He Sobs
Chick Corea
1968
Solid State Records
Bio
Armando Anthony “Chick” Corea was born in Chelsea, Massachusetts, on June 12, 1941. His father was a Dixieland trumpeter who introduced him to piano at age four. Home recordings featured Bud Powell, Charlie Parker, Dizzy Gillespie, and Lester Young alongside Mozart and Beethoven. Corea studied formally with pianist Salvatore Sullo from age eight, developing classical technique while absorbing bebop influences. He attended Columbia University and Juilliard briefly before dropping out to pursue professional work in New York. Between 1962 and 1967, he gigged with Latin jazz leaders including Mongo Santamaria, Willie Bobo, Herbie Mann, and Stan Getz.
Corea’s breakthrough as a leader came in March 1968 with “Now He Sings, Now He Sobs,” recorded with bassist Miroslav Vitous and drummer Roy Haynes on Solid State Records. The trio album established him as a pianist of exceptional skill and originality. That fall, Corea joined Miles Davis’ quintet at a crucial moment in Davis’ career. Davis persuaded him to play Fender Rhodes electric piano, introducing him to fusion’s emerging sound. Corea appeared on four Davis albums: “Filles de Kilimanjaro” (1969), “In a Silent Way” (1969), “Bitches Brew” (1970), and “Live at the Fillmore East” (1970). These recordings defined jazz fusion’s emergence and showcased his ability to navigate complex harmonic spaces.
After leaving Davis in 1970, Corea co-founded Circle with bassist Dave Holland, drummer Barry Altschul, and saxophonist Anthony Braxton. The ensemble recorded the experimental double album “Paris-Concert” for ECM in 1971. His most influential project began in 1972 when he founded Return to Forever with bassist Stanley Clarke, violinist Jean-Luc Ponty, and later drummer Lenny White. The band recorded “Return to Forever” (ECM, 1972), “Light as a Feather” (Polydor, 1973), and “Romantic Warrior” (Columbia, 1976), combining Latin-Brazilian elements with rock and electronic keyboards. Return to Forever became a defining force in 1970s fusion. During this period, Corea also initiated his celebrated duet partnership with vibraphonist Gary Burton, recording “Crystal Silence” in 1972.
From the 1980s onward, Corea continued to explore diverse musical directions. He founded the Chick Corea Elektric Band in 1986, emphasizing synthesizers and rock-influenced arrangements on GRP Records. Corea also led the Akoustic Band from 1989 to 1991, restoring acoustic piano to prominence. His duet collaborations with pianist Herbie Hancock extended through the late 1970s and beyond. He pursued classical works and led ensembles including Origin. The 2006 NEA Jazz Masters Fellowship recognized his influence across modal jazz, fusion, and avant-garde traditions. Corea died on February 9, 2021, in Tampa, Florida, at age 79 from cancer. His 28 Grammy Awards, numerous compositions including “Spain” and “Windows,” and DownBeat Hall of Fame induction in 2010 established his legacy as one of jazz’s foremost pianists since Bill Evans.
Timeline
Key Chick Corea studio albums by decade, with the labels and styles that define each period.
| Decade | Key albums | Labels | Styles |
|---|---|---|---|
| 1960s |
| Roost, Solid State Records, Vortex Records | Post Bop, Afro-Cuban Jazz, Latin Jazz, Free Jazz |
| 1970s |
| ECM Records, Polydor | Fusion, Latin Jazz, Jazz-Rock, Rumba |
| 1980s |
| MPS Records, Warner Bros. Records, Elektra, ECM Records | Modal, Post Bop, Fusion, Funk |
| 1990s |
| Blue Note, GRP, Douglas Music, Concord Jazz, Stretch Records | Post Bop, Bop, Free Improvisation, Contemporary Jazz |
| 2000s |
| Concord Picante, Stretch Records, Concord Records | Contemporary Jazz, Latin Jazz, Afro-Cuban Jazz, Bop |
| 2010s |
| Concord Records, Concord Jazz, Universal Music | Post Bop, Fusion, Modal, Cool Jazz |
| 2020s |
| Da Vinci Classics, Candid, Universal Music Group, International Phonograph Inc. | Contemporary, Latin Jazz, Contemporary Jazz |
Albums by Style
Top albums grouped by style.
Fusion


Light As A Feather
Chick Corea
1973
Polydor

The Chick Corea Elektric Band
The Chick Corea Elektric Band
1986
GRP

The Leprechaun
Chick Corea
1976
Polydor

The Sun
Chick Corea
1971
Express
Contemporary Jazz

Crystal Silence
Gary Burton / Chick Corea
1973
Fantasy

Friends
Chick Corea
1978
Polydor



Post Bop

Tones For Joan's Bones
Chick Corea
1968
Vortex Records

Now He Sings, Now He Sobs
Chick Corea
1968
Solid State Records

Is
Chick Corea
1969
Solid State Records


Similar Artists
Artists with similar styles and catalogs.
Chick Corea Discography
Chick Corea studio albums as leader and sideman.
Total: 289 releases
| Artist | Album | Label | Leader/Sideman | Style | Year |
|---|---|---|---|---|---|
| Mongo Santamaria And His Afro-Latin Group | Go, Mongo! | Riverside Records | Sideman | Afro-Cuban Jazz | 1962 |
| Sonny Stitt, Willie Bobo, Thad Jones, Carlos "Patato" Valdes, Chick Corea, Chihuahua | Stitt Goes Latin | Roost | Leader | Afro-Cuban Jazz | 1963 |
| Dave Pike And His Orchestra | Manhattan Latin (The Sensous Rhythms Of Spanish Harlem) | Decca | Sideman | Afro-Cuban Jazz | 1964 |
| Hubert Laws | The Laws Of Jazz | Atlantic | Sideman | Soul-Jazz | 1964 |
| Montego Joe | ¡Arriba! Con Montego Joe | Prestige | Sideman | Afro-Cuban | 1964 |
| The Blue Mitchell Quintet | Down With It | Blue Note | Sideman | Hard Bop | 1965 |
| Herbie Mann | Latin Mann (Afro To Bossa To Blues) | Columbia | Sideman | Afro-Cuban | 1965 |
| Herbie Mann | The Roar Of The Greasepaint- The Smell Of The Crowd | Atlantic | Sideman | Latin Jazz | 1965 |
| Blue Mitchell | The Thing To Do | Blue Note | Sideman | Hard Bop | 1965 |
| Hubert Laws | Flute By-Laws | Atlantic | Sideman | 1966 | |
| Cal Tjader | Soul Burst | Verve Records | Sideman | Latin Jazz | 1966 |
| Cal Tjader | Along Comes Cal | Verve Records | Sideman | Cha-Cha | 1967 |
| Blue Mitchell | Boss Horn | Blue Note | Sideman | Hard Bop | 1967 |
| Stan Getz | Sweet Rain | Verve Records | Sideman | Bossa Nova | 1967 |
| Pete La Roca | Turkish Women At The Bath | Douglas | Sideman | Post Bop | 1967 |
| Chick Corea | Now He Sings, Now He Sobs | Solid State Records | Leader | Post Bop | 1968 |
| Chick Corea | Tones For Joan's Bones | Vortex Records | Leader | Post Bop | 1968 |
| Bobby Hutcherson | Total Eclipse | Blue Note | Sideman | Post Bop | 1968 |
| Stan Getz | What The World Needs Now - Stan Getz Plays Bacharach And David | Verve Records | Sideman | 1968 | |
| Miles Davis | Filles De Kilimanjaro | Columbia | Sideman | 1969 |
Chick Corea Collaborations
Players they worked with most often, as leader and as sideman.
As Leader
| Musician | Role | Releases |
|---|---|---|
| Roy Haynes | Drums | 20 |
| Miroslav Vitous | Bass | 13 |
| Eddie Gomez | Bass | 13 |
| John Patitucci | Bass | 13 |
| Dave Holland | Bass | 12 |
| Dave Weckl | Drums | 11 |
| Gary Burton | Vibraphone | 11 |
| Christian McBride | Bass | 11 |
| Steve Gadd | Drums | 10 |
| Steve Davis | Trombone | 10 |
As Sideman
| Musician | Role | Releases |
|---|---|---|
| Miles Davis | Trumpet | 56 |
| Jack DeJohnette | Drums | 55 |
| Dave Holland | Bass | 48 |
| Airto Moreira | Percussion | 36 |
| Wayne Shorter | Soprano Saxophone | 34 |
| John Patitucci | Bass | 31 |
| Wayne Shorter | Tenor Saxophone | 30 |
| Dave Weckl | Drums | 22 |
| Dave Holland | Electric Bass | 22 |
| Stanley Clarke | Bass | 18 |
Styles & Genres Distribution
Style and genre mix across their releases.
Styles
| Style | Releases | Percentage |
|---|---|---|
| Fusion | 89 | 30.8% |
| Post Bop | 53 | 18.3% |
| Contemporary Jazz | 48 | 16.6% |
| Latin Jazz | 25 | 8.7% |
| Jazz-Rock | 22 | 7.6% |
| Free Jazz | 20 | 6.9% |
| Jazz-Funk | 15 | 5.2% |
| Hard Bop | 12 | 4.2% |
| Modal | 12 | 4.2% |
| Free Improvisation | 12 | 4.2% |
Genres
| Genre | Releases | Percentage |
|---|---|---|
| Jazz | 264 | 91.3% |
| Classical | 21 | 7.3% |
| Latin | 19 | 6.6% |
| Rock | 19 | 6.6% |
| Funk / Soul | 17 | 5.9% |
| Electronic | 8 | 2.8% |
| Pop | 7 | 2.4% |
| Folk | 5 | 1.7% |
| World | 5 | 1.7% |
| & Country | 5 | 1.7% |
Top Labels
Labels with the most releases in their catalog.
| Label | Releases |
|---|---|
| Stretch Records | 29 |
| Columbia | 20 |
| GRP | 18 |
| Blue Note | 14 |
| Polydor | 14 |
| ECM Records | 13 |
| Verve Records | 9 |
| Warner Bros. Records | 7 |
| Atlantic | 6 |
| Concord Jazz | 6 |
Key Personnel
Frequent producers, engineers, and studio credits.
| Person | Role | Releases |
|---|---|---|
| Various | Leader | 117 |
| Bernie Grundman | Mastered By | 41 |
| Ron Moss | Executive-Producer | 30 |
| Miles Davis | Leader | 26 |
| Bernie Kirsh | Engineer | 25 |
| Bernie Kirsh | Recorded By | 22 |
| Return To Forever | Leader | 22 |
| Larry Rosen | Executive-Producer | 21 |
| Dave Grusin | Executive-Producer | 20 |
| Manfred Eicher | Producer | 17 |









